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 Algorithmen der Modernität 

Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
Algorithmen der Modern.
2018
client
client
Polnisches Institut Berlin
work
work

Visual identity and exhibition design

The exhibition portrayed Poland in a period between 1918 and 1939 through the prism of urban planning, architecture and design, analysing the search for universal codes of modern architecture – expediency, harmony and simplicity.

The main visual which we used throughout the exhibition materials was inspired by work of Polish avant-garde artists, active in 1920’s: Teresa Żarnowerówna – painter, sculptor, scenographer, and architect and Henryk Berlewi – graphic designer and art theorist.

We invited with Krzysztof Skoczylas to work on architecture of the show with us. The exhibition was curated by Małgorzata Jędrzejczyk.

location
location
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